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  <url>
    <loc>http://www.louischinn.com/installation</loc>
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    <lastmod>2021-08-31</lastmod>
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      <image:title>Installation</image:title>
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      <image:title>Installation</image:title>
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      <image:title>Installation</image:title>
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      <image:title>Installation</image:title>
      <image:caption>The Death Dome is a fully immersive audio/visual experience inspired by the Bardos - the intermediary stages between life, death and reincarnation. The Interior utilizes projection mapping with original hand made animations and a surround sound musicscape. Users participate in a writing reflection, grounding exercise and a symbolic ritual to release patterns and emotions.</image:caption>
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      <image:title>Installation - Transforming Inner Nature</image:title>
      <image:caption>2018 | 30’ x 15’ x 2’ | Fiberglass, Wood, Glass, Sound, LED, Interactive Tech Transforming Inner Nature uses the Daoist Five Elements Theory, Life-Destiny and Qi energy concepts as its inspiration. This sample shows kinetic and interactive work experience- Spin the wooden mandala to select an organ, then put on the headphones and open a door to begin. Each door on the body represents an internal organ that corresponds to an emotional-Qi energy state, element, musical key and color: Lungs (Metal, D, White, Grief/Praise) Heart (Fire, C, Red, Love/Hate), Liver (Wood, E, Green, Anger/Kindness), Kidneys (Water, A, Black, Fear/Courage), Spleen (Earth, C, Yellow, Anxiety/Peace). Featuring the work of creative technologist Ido Kleinman.</image:caption>
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      <image:title>Installation - The Oracle</image:title>
      <image:caption>Cedar, moss, plexiglass, bamboo, brass, water, interactive media 14’ x 9’ x 9’ 2016 The Oracle is an interactive installation created by Louis Chinn &amp; missTANGQ featuring creative coder Tiffany Ta. Housed in a fully immersive temple space, the installation gives audience members a customized reading using the ancient Chinese divination system, the Yi Jing. Participants ask a question for which they seek advice, and a reading is triggered through interactive technology. Images and sound envelop the user, through animations that play at the bottom of a well and original music in a surround sound environment. Previously shown at the Seattle Art Museum Olympic Sculpture Park and Seattle Asian Art Museum.</image:caption>
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  <url>
    <loc>http://www.louischinn.com/artwork</loc>
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    <priority>1.0</priority>
    <lastmod>2024-05-14</lastmod>
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      <image:title>Public Art - Gift</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/54742242e4b039279a76e640/1537295394884-94MN8NMVXUBKLRIT6EC2/Unicity1.jpg</image:loc>
      <image:title>Public Art</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54742242e4b039279a76e640/1548828822615-CLCPFZM2YM505XXOCOEK/IMG_2594.jpg</image:loc>
      <image:title>Public Art</image:title>
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      <image:title>Public Art - Returning Home</image:title>
      <image:caption>Stainless steel, aluminum, powder coating, LED lights 18’x6’x6’ 2020 ‘Returning Home’ is a permanent public art installation at Plymouth Housing's new building in Seattle's International District. Plymouth Housing builds and manages supportive housing for individuals experiencing long term homelessness. The work features a wind-powered sculpture comprised of a flock of cranes ascending upwards and returning home to their nest in a continual cycle. It was created using 500lbs of stainless steel and aluminum. The sculpture features origami red-crowned cranes to commemorate the local Japanese business that once operated at this site. The nest below glows at night and doubles as seating for pedestrians. Cranes are international travelers, with migration routes defying national borders. Because of this, they are emblematic of resiliency and unity among diverse peoples. They are icons of survival, traversing epic proportions in both distance and altitude and outliving mass habitat destruction. We believe they represent the search for home and belonging, and the extraordinary resilience of one's spirit to rise above adversity.</image:caption>
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      <image:title>Public Art - A Drop Landing</image:title>
      <image:caption>The first installation in the Re:Generation series, showing precipitation as a metaphor for the human relationships within the building. Located at the entrance, this piece welcomes and invites each person as a drop of water, acknowledging the individuals that make up the ocean of the collective. Re:Generation is a series of installations inspired by the water cycle and the flow of human movement through the ITC building. The individual is joined in the lobby by the larger currents of the collective, depicted by metal waves woven with cultural patterns that represent the demographics of WOU and the larger Monmouth community. As a person travels into the stairwells, the waves rise up into clouds, showing how we carry the cultural wealth of our past into the future realm of ideas and innovation.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/54742242e4b039279a76e640/1630374135329-QDJD29IK7MA8BMU6GV8W/Diaspora+Rising+Right.jpg</image:loc>
      <image:title>Public Art - Diasporas Rising</image:title>
      <image:caption>The second installation in the Re:Generation series. This piece honors the cultural fabric and heritage that represent WOU and the greater Monmouth community. Woven into the metal waves, the patterns come from across Asia, the Pacific Islands, Latin America, the Carribean, Africa, the Middle East, Europe and the Wasco and Wishram Native Americans. Re:Generation is a series of installations inspired by the water cycle and the flow of human movement through the ITC building. At the entrance, each person is welcomed as a drop of water beginning its journey to the ocean. The individual is joined in the lobby by the larger currents of the collective, depicted by metal waves woven with cultural patterns that represent the demographics of WOU and the larger Monmouth community. As a person travels into the stairwells, the waves rise up into clouds, showing how we carry the cultural wealth of our past into the future realm of ideas and innovation.</image:caption>
    </image:image>
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      <image:title>Public Art</image:title>
      <image:caption>Rivers of Time Patinated Brass, Printed Cast Acrylic, LED 8’ x 28’ x 3.5” 2022 This mural was inspired by the paleogeographic and human migration history of Salem Sound. The artwork was adapted from a depiction of the landmass and estuaries when the ice sheet retreated 10,000 years ago. Each waterway is embedded with cultural patterns showing waves of human settlement in the area, hailing from the Caribbean, West Africa, East and South Asia, Latin America, the Middle East, Western and Eastern Europe. The design cut into the central river comes from an ancient ceramics pattern provided by the Massachusett Tribal Council to honor the first peoples of this land.</image:caption>
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      <image:caption>Layers of Time Concrete, inlaid brass, resin, granite 30’ x 55’ x 4’ 2022 This splash pad is an artistic interpretation of the geologic events that shaped Salem Harbor and the North Shore of Massachusetts. The three layers of the splash pad represent different periods of time that occurred over millions of years. Inspired by this deep time perspective dating back to Pangea, “Layers of Time” gives insight into our interconnected history. The local Avalonian bedrock was once a piece of North Africa that collided with North America around 500 million years ago. As Avalon rifted, the volcanic activity that followed produced the rocks we see in Forest River Park today. The lowest level of the splash pad represents these rocks, called Salem gabbro-diorite. The second level shows Avalon rifting and separating, as gabbro-diorite emerges below through magmatic activity. The top level of the splash pad represents the glacial stage, occurring from 2.5million to 10,000 years ago. The artists hope to draw a connection to our current climate, bringing awareness to rapid glacial melt and rising sea levels. The splash pad uses geology to encourage a non-anthropocentric view of our planet, while guiding us to recognize our shared common ground. Follow the rivers of brass magma, fossilized plants and creatures to discover your own journey across time.</image:caption>
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      <image:title>Public Art</image:title>
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      <image:title>Public Art</image:title>
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      <image:title>Public Art - Gathering Radiance</image:title>
      <image:caption>The third installation in the Re:Generation series, showing evaporation and condensation in the water cycle. Water has been transformed into clouds representing the digital, virtual realm as well as our collective imagination. Re:Generation was created with the hope of inspiring the integration of technology and art in service of a more resilient and sustainable future for generations to come. Re:Generation is a series of installations inspired by the water cycle and the flow of human movement through the ITC building. At the entrance, each person is welcomed as a drop of water beginning its journey to the ocean. The individual is joined in the lobby by the larger currents of the collective, depicted by metal waves woven with cultural patterns that represent the demographics of WOU and the larger Monmouth community. As a person travels into the stairwells, the waves rise up into clouds, showing how we carry the cultural wealth of our past into the future realm of ideas and innovation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54742242e4b039279a76e640/1715634847169-91GW5ZCCDALEGNELTCSU/Dragonfly.jpeg</image:loc>
      <image:title>Public Art - Vision</image:title>
      <image:caption>"Vision" is a sculptural mural created with nearly 2,000 pounds of corten steel bolted onto concrete. Spanning four stories, its grand cascading shapes and line work encourages a visionary perspective that aims to join the seen and unseen worlds.</image:caption>
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      <image:title>Public Art - Changing Tides</image:title>
      <image:caption>Commission for Tana Lin - The first Asian American Federal Judge in WA State history.</image:caption>
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    <lastmod>2014-11-27</lastmod>
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      <image:title>New Gallery</image:title>
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      <image:title>New Gallery</image:title>
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      <image:title>New Gallery</image:title>
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    <loc>http://www.louischinn.com/jyun-jyun</loc>
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    <lastmod>2021-04-08</lastmod>
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      <image:title>Jyun Jyun - ANiMA Trailer - Festival Edit</image:title>
      <image:caption>ANiMA is an mesmerizing exploration of ancestry, tradition, nature, and technology. Jyun Jyun and missTANGQ perform live global electronic music together with stunning projected animation, shadow dancing and puppetry using spectacular masks and costumes. An expedition of multi-sensory time travel, the show transforms ancestral traditions into ritual futurisms - as audiences participate in the co-creation of narratives that expand cultural identity and global community. ANiMA adapts ancient myth into contemporary performance aimed at healing our urban disconnection, through a deep reverence for nature and mystery. Using cutting-edge technology, interactive visuals respond directly to the performer’s bodies, creating a union of digital and organic movement. The stage itself is an altar, where audience members are invited to offer handmade crafts to pay homage to their stories and participate in a culminating dance party. A testament of transnational migration and cultural interchange, the show urges viewers to consider the meaning of home and place in the borderlands of human experience. In the current climate of anti-immigration and divisive socio-political forces, ANiMA reminds us that ancestral wisdom and earth-based practices can be a compass, a guiding mythos to help navigate our humanity and harness the power of ritual and communion.</image:caption>
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    <loc>http://www.louischinn.com/signup</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-08-14</lastmod>
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      <image:title>Events</image:title>
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